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Rocking50s Classic Oldies Music of the 50s. Complete songs by the original artists. Listen to music from the 50s-60s. Streaming music on most pages. Over 60 music videos of the 50s.Artists such as Del Shannon,Elvis Presley,Buddy Holly,Roy Orbison,Fats Domino,Little Richard,Connie Francis,Brenda Lee,Connie Francis. New content every day. Photo Gallery. This was the decade of McCarthyism, Levittowns, and men in gray flannel suits, but the 1950s also saw bold architectural styles, the rise of paperback novels and the Beat writers, Cinema Scope and film noir, television variety shows, the Golden Age of the automobile, subliminal advertising, fast food, Frisbees, and silly putty. Meanwhile, teens attained a more prominent role in American culture with hot rods, rock 'n' roll, preppies and greasers, This website is always under construction.


The Phantom Of The Opera

The novel opens with a controversial prologue in which Gaston Leroux claims that Erik was a real person.

Christine Daaé's mother died when she was very young. She and her father, a famous violinist, traveled all over Sweden playing folk and religious music. Her father was known to be the best wedding fiddler in the land. During Christine's childhood, her father told her many stories. A character known as the Angel of Music figured heavily in them (It is commonly misconceived that "Little Lotte" refers to a character, a girl who could hear the Angel of Music. It instead refers to a game that Raoul and Christine would likely have played). When Christine meets and befriends Raoul, he also enjoys her father's many Stories.

Later, when Father Daaé is passing away — probably of tuberculosis — he tells Christine that when he dies he will send the Angel of Music to her. Christine grieves for her father endlessly. She lives with an elderly woman whose now deceased husband had been her father's benefactor. Christine is eventually given a position in the chorus at the Paris Opera House. Not long after she arrives there, she begins hearing a voice which sings to her and speaks to her. She believes this must be the Angel of Music and asks him if he is. The Voice agrees and offers to teach her "a little bit of heaven's music." The Voice, however, belongs to Erik, a disfigured genius who was on the construction crew when the Opera was built and who secretly built into the cellars a home for himself. He is the Opera ghost ("Fantôme" in French can be translated as both "ghost" and "phantom") who has been extorting money from the Opera's management for many years. Unknown to Christine, at least at first, he has fallen in love with her. With the help of the Voice, Christine triumphs at the gala on the night of the old managers' retirement. Her old childhood friend Raoul hears her and remembers his love for her. After the gala, Erik takes Christine to live in his home in the cellars, but after two weeks, when Christine requests release, he agrees, on condition that she wear his ring and be faithful to him. Up on the roof of the Opera, Christine tells Raoul of Erik taking her to the cellars. Raoul promises to take Christine away where Erik can never find her. Raoul tells Christine he shall act on his promise the following day, to which Christine agrees, but she pities Erik and will not go until she has sung for him one last time. The two leave, unaware that Erik was listening to their conversation. During the week and that night however, Erik has been terrorizing anyone who stood in his way, or in the way of Christine's career, including the managers. The following night, Erik kidnaps Christine during a production of Faust. Back in the cellars, Erik tries to force Christine into marrying him. If she refuses he will destroy the entire Opera using explosives planted in the cellars, killing everyone in it, including himself and Christine. Christine continues to refuse, until she realizes that Raoul and a man known only as "The Persian", in an attempt to rescue her, have been trapped in Erik's torture chamber. To save them and the people above, Christine agrees to marry Erik and kisses him. Erik, who admits that he has never before in his life received a kiss — not even from his own mother — is overcome with emotion. He lets Christine go and tells her "go and marry the boy whenever you wish", explaining that "I know you love him." They cry together, and then she leaves. Three weeks later, a notice appears in a Paris newspaper stating that Erik is dead.


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